Ref.11825
Set of parquet panels of different wood species, from the 20th century

Set of square shaped parquet panels, made of three different wood species including walnut and oak. Dimensions of each panel 20,08 x 20,08 inch. The set consists of 40 full panels and 20 half panels. All this for a surface area of about 12 m2.

Ref.14082
Jules Vieillard & Cie Manufacture, Japanese-style Tea Service, between 1878 and 1886

Cups : H. 6,2 cm/2'' 7/16 ; L. 9,5 cm/3'' 3/4 ; D. 7,2 cm/2'' 13/16 Saucers : H. 2 cm/13/16'' ; D. 13,5 cm/5'' 5/16 Teapot : H. 16 cm/6'' 5/16 ; L. 19,7 cm/7'' 3/4 ; P. 7,5 cm/2'' 15/16 Milk jug : H. 9 cm/3'' 9/16 ; L. 12,5 cm/4'' 15/16 ; P. 6 cm/2'' 3/8 Sugar bowl : H. 15 cm/5'' 15/16 ; L. 17 cm/6'' 11/16 ; P. 8,5 cm/3'' 3/8 This exceptional Japonism tea set was created for the Jules Vieillard & Cie Manufacture in Bordeaux between 1878 and 1886; it is attributed to Amédée de Caranza. After the death of Jules Vieillard in 1868, the Jules Vieillard & Cie Manufacture, then the third largest ceramic factory in France, passed to his sons, Albert and Charles. The Vieillard brothers then developed new designs and shapes, launching a production of artistic faience intended to decorate the finest interiors. The son of a ceramist, Amédée de Caranza (1843-1914) developed a deep understanding of the art of ceramics and constantly sought new techniques. After working in his own workshop and for the Creil-Montereau factory, he became the workshop manager at the Vieillard Manufacture from around 1878 to 1886. He then opened his own workshop before moving to New York. He served as artistic director at Henri Copillet & Cie, where he worked with glass. For more information on this work, see the video on marcmaison.art

Ref.13994
J. VIEILLARD & CIE Manufacture, Mantel Set, second half of the 19th century

Pot covers: H. 17 cm/6'' 1/2 ; L. 18 cm/7'' 1/16 ; P. 18 cm/7'' 1/16 This Japanese-style mantel set was made by the Jules Vieillard & Cie Manufacture in the second half of the 19th century. Initially a ceramics trader, Jules Vieillard worked for the David Johnston manufactory in Bordeaux from 1840. When it went bankrupt in 1844, he decided to buy it and founded the company Jules Vieillard & Cie, which enjoyed great success. After his death in 1868, the manufactory, then the third largest ceramics manufactory in France, passed to his sons, Albert and Charles. The Vieillard brothers then developed new designs and shapes. They launched a production of artistic earthenware intended to decorate the finest interiors, which continued until the end of the 19th century. After the death of Jules Vieillard in 1868, the Jules Vieillard & Cie Manufacture, then the third largest ceramic factory in France, passed to his sons, Albert and Charles. The Vieillard brothers then developed new designs and shapes, launching a production of artistic faience intended to decorate the finest interiors.