Ref.9628
Antique Louis XVI period Trumeau mirror with musical symbols

Large delicately carved Louis XVI style and period overmantel mirror. The mirror is framed with beaded moulding, and on each bottom corner of the frame, there is a square rosette. In the centre, at the bottom of the frame, there is a cartouche decorated with festoons. On either side of the mirror are molded rectangular panels decorated with carved volutes at the bottom and festoons and flower wreaths at the top. A musical trophy with a lyre, a bow and arrow, and foliage, decorates the panel above the mirror.

Ref.11274
Beautiful antique Louis XV style overmantel mirror with an oil on canvas representing a woman and putti

This Louis XV style overmantel mirror was made in the 19th century. The moulded decoration, simple and curved, frames an oil on canvas representing a woman lying down and surrounded with putti.

Ref.18582
MIROY Frères - Beautiful antique clock with musicians putti

This beautiful antique Louis XVI style clock from the end of the 19th century features gilt-bronze putti musicians and porcelain plates. The dial is signed “Miroy Frères Paris.” The clock has a glass cover topped with musical instruments, including a lyre and two trumpets, and framed by two putti playing the triangle and the tambourine. The clock and the putti are placed on a platform adorned with gilt-bronze garlands of flowers and leaves and three porcelain plates painted with flowers and bright blue. Musical imagery was highly appreciated by the Louis XVI style , like the imagery used for this clock.

Ref.11854
Pair of planters model "Diabolo" edited by Eternit, 1950s

These diabolo-shaped planters were designed by Willy Guhl, a famous Swiss designer and edited by Eternit in the 1950s. These planters are made of Eternit, a stable material with a fibrous texture made of cement.

Ref.14308
Fireback with the arms of Leopold I, Duke of Lorraine and Bar

Fireback with the coat of arms of Leopold I, Duke of Lorraine and Bar, son of Charles V, titular Duke of Lorraine and Bar and Eleonore of Austria. Knight of the Golden Fleece in 1690, he married Elisabeth Charlotte of Orleans, daughter of Philippe, Duke of Orleans and Charlotte-Elisabeth of Bavaria, Princess Palatine, in October 1698. He was responsible for the reconstruction of the Château de Lunéville from 1703 to 1723, when the court moved in.

Ref.5483
Louis XVI style mantel with curved flutes adorned with rosettes carved in Turquin marble

Ref.15113
DAUM, Émile ROBERT (attributed to), Lamp in delicately openwork wrought iron and glass, circa 1900

This lamp is the result of a collaboration between the Daum company, for the glass lampshade, and Émile Robert, for the wrought iron base. Founded in Nancy in 1878 by Jean Daum, the Daum glassworks was quickly taken over by his sons, Auguste and Antonin. From that moment on, increasingly complex creations from a technical point of view were designed there. Émile Robert (Mehun-sur-Yèvre, 1860-1924) quickly became skilled in artistic ironwork. When he arrived in Paris in 1878, he joined the workshop of locksmith Alphonse Gabriel Moreau, where his talent was quickly recognized, before becoming independent. At the 1900 Universal Exposition, he contributed to the decoration of the Metals Hall of the decorative arts pavilion, and even set up a workshop there to present the blacksmith's craft to visitors. In 1914, he founded a workshop in Enghien-les-Bains to undertake personal projects; in the same year, he was named a Knight of the Legion of Honor. This table lamp, with a base forming openwork wrought iron arms, is inspired by the Gothic style. It rests on an openwork circular base providing great stability. Four equidistant spheres topped by feet in the shape of stylized lion paws join to form a single base. Above, a slight bulge reflects Émile Robert’s interest in Art Nouveau and its vibrant vegetal vitality. The upper part, forming an arm, is decorated with delicate openwork scrolls and ends with a bird head from which the lamp is suspended. The lamp itself is conical, in orange glass tinged with yellow, held in place by four wrought iron scrolls also inspired by Art Nouveau forms. It is signed: “Daum Nancy ☨”.

Ref.15888
Louis XVI style gilded trumeau topped with a knotted ribbon

Ref.6130
Louis XVI period fireplace in blue turquin marble, with molding decoration

Ref.6321
Louis XVI style fireplace with fluted feet, in pink Enjugerais marble