Ref.1702
Louis XIV style mantel in Rouge du Nord marble

Grand Louis XIV style fireplace made out of Rouge du Nord marble during the 19th century. The opening of the fireplace is enhanced with a large molding known as "boudin" molding. It is crowned by a decorative element inlaid in Noir Maquina marble.

Ref.2812
Beautiful antique double door with chinese style decor

This beautiful glazed panel double door features Chinese-style decoration in the lower part. The painted decoration in relief in yellow on a red background is on both sides.

Ref.18458
ZSOLNAY Manufacture - "Young woman at the source", vide poche in iridescent ceramic

This Art Nouveau style vide-poche (storage tray) made of iridescent ceramic is from approximately 1900 and signed “Zsolnay Pecs Made in Hungary.” A female figure is leaning down with a jar to collect water. The object's asymmetrical shape, curved outlines, and iridescent ceramic translate the movement, texture, and blueish-green colors of the water. This colorful and original vide-poche belongs to the Art Nouveau movement, an artistic movement from the beginning of the 20th century that wanted to break away from traditional forms and historicist styles from the 19th century. The defenders of the Art Nouveau movement wished to create an art form that included both modernity and a return to nature and its symbols. This vide-poche's modernity is brought by the shine and colors of the iridescent ceramic, and by the object's simple outlines. It also has a very organic, natural side to it, as every aspect helps to recreate the water that the female figure is collecting. As the stamp on the bottom says, this object is from the Zsolnay Factory, a Hungarian ceramics factory founded in 1851 by the merchant Miklos Zsolnay. It first produced simple, useful objects, and in 1865, when Vilmos Zsolnay, Miklos' brother, took over the company, it began creating decorative dishware. It exhibited faience at the World's Fair of 1878 in Paris and obtained a Grand Prize. From the 1890's, the factory also produced architectural ceramics.

Ref.10916
SAINT-CLEMENT manufactory - Plate set with orchids

Set of plates in earthenware of Saint Clément, including 19 large plates (diameter 9'' 7/16) and 8 small sized plates (diameter 8'' 11/16). The decorations present different varieties of orchids.

Ref.4044
Antique Louis XVI style fireplace with half columns in Bleu Turquin marble

Antique Louis XVI style fireplace carved in the 19th century in Bleu Turquin marble. The jambs are figured as fully fluted half columns.

Ref.12319
20th century fireback with French coat of arms and putti

Cast iron fireback decorated with an Armes de France coat of arms accosted with putti and crowned with a crown.

Ref.4776
Louis XVI period fireplace in gray Ardennes marble

Ref.13858
Three garden vases from stoneware crucible

Ref.12820
Théodore DECK (1823-1891), Earthenware dish with a flying mallard

This glazed ceramic dish was made in the workshop of the ceramist Théodore Deck (1823-1891). Théodore Deck initially trained as a stove maker. When he set up in Paris on his own account in 1858, he made stove linings and then, on the strength of his success, moved into ceramics. The studio produced many dishes in collaboration with well-known painters, including Ernest Carrière, who made a series of dishes on the same subject as this one in the 1890s-1900s. Deck gradually perfected his technique and enjoyed great success at the many World’s Fairs he took part in. In 1878, he was made an Officer of the Légion d'Honneur. He ran the Sèvres factory between 1887 and his death in 1891. The dish is decorated with an extremely naturalistic mallard captured in full flight, in the middle of a sky with cottony clouds and above a vast expanse of water as if wrinkled by a breath of wind. The background of this dish is particularly elaborate, clearly distinguishing between the sky and the water thanks to variations in the thickness of the glaze. This decoration reveals Deck’s interest in Far Eastern art, which he collected from the 1870s onwards. This inspiration is particularly evident in the choice of the mallard, often depicted by Hiroshige in his prints. This work is an emblematic example of Théodore Deck’s mastery of the enamel technique, enabling him to achieve great finesse in his work: the bird is depicted with great precision and clarity. The Théodore Deck et des pays du Florival Museum, in Guebwiller, has a dish also made by Deck, decorated with a mallard taking flight in front of a golden sun, which is very similar to another dish in the Marc Maison gallery.

Ref.15538
18 m² lot of Hungarian point wood flooring

Ref.5911
Louis XVI style fireplace in Carrara marble decorated with a bow and a quiver