Ref.4035
Antique Restoration style fireplace in Bleu Fleuri marble

Antique Restoration style mantel made in the 19th century in Bleu Fleuri marble.

Ref.4027
Antique Louis XVI period fireplace in Carrara marble decorated with grapevines and grapes

Antique Louis XVI period fireplace made of White Carrara marble in the late 18th century. The entablature is adorned in its center with a carving in application of vine leaves with beautiful bunches of grapes and holly leaves. The jambs are also adorned with holly leaves. The upper part of the jambs are carved with applied rosettes.

Ref.12227
Important modern stone outdoor fountain

This stone fountain realized at the end of the 20th century is composed of an octagonal molded basin, and in its center of a pillar presenting on the four faces a lion mascaron whose open mouth allows the water to gush, the pillar is summoned by an ornamental ball

Ref.4507
Big antique Louis XIV style fireplace in Red griotte marble

This fireplace was made in the late 19th century out of a beautiful Red Griotte marble. It's the Bolection model composed of an elegant moulding decoration which is framing the fireplace's inside depicting a very riche decoration in relief.

Ref.4762
Small Napoleon III style mantel with flutes in Sarrancolin marble

This small Napoleon III mantel was made of Sarrancolin marble in the late 19th century. It is adorned on its header and jambs with flutes.

Ref.5167
Napoleon III style mantel with modillions in Rouge du Nord marble

Ref.14539
Set of 2 Napoleon III stained glass windows

Ref.5549
Napoleon III style mantel in Carrara marble with wheat ears

This Napoleon III-style fireplace is characterized by its rich motifs and details. The quality of the Carrara marble, sourced from quarries in the Apuan Alps, allows the marble to be worked with finesse and detail. On the band, pearls form a rectangular frame. Floral, plant, and cultural motifs in a mix of low and high relief protrude from the pearls. A central pan flute is mixed with a wreath of flowers and gardening tools such as a rake, shovel, and sickle. The sickle refers to the ears of wheat carved on either side of the fireplace’s legs, tied with ropes in which field flowers are caught. The sides of the legs are decorated with laurel leaves arranged on a chain, creating a garland of leaves. The lower parts of the legs resemble the base of antique columns, and the entire lower part of the mantel is decorated with a frieze of laurel leaves. This fireplace reflects the Napoleon III style. A rich décor and multiple inspirations, particularly in the Louis XVI style, a style borrowing from nature and Greek Antiquity.

Ref.5908
Richly carved Louis XV style fireplace in Carrara marble

Ref.5845
Large Louis XV style fireplace decorated with a large shell, in Seravezza marble

This fireplace is made of Seravezza marble, its white background traversed by grey and black veining. The natural contrasts of the marble highlight the sculpted reliefs and give depth to the whole. The mantel shelf, with softened edges, displays the same nuances, ensuring a harmonious continuity. The façade adopts the characteristic lines of the Louis XV style, with a curved and sinuous entablature. The upper frieze projects slightly and flows into winding curves down to the jambs. These, curved and resting on rounded bases, frame the firebox generously. The ensemble stands on a matching hearth slab, decorated with three large rectangular panels of dark marble inlaid into the lighter stone. The carved decoration is concentrated on the central frieze, adorned with a large shell in relief surrounded by volutes and floral scrolls. The vegetal motifs unfold with fluidity, animating the stone surface. The jambs also display a more discreet decoration, with softened fluting that reinforces the elegance of the whole. The fireplace retains its cast iron interior, darkened by use, moulded with vegetal motifs in low relief arranged in symmetrical panels on either side of the opening. The hearth slab complements the fireplace with a contrasting geometric design, where dark inlays enliven the lighter surface.